The moors looking towards Ravenscar
(Oil on board, 1909, 17 x 35 cm)
Cat no 002

Note: A popular scene reinterpreted several times, as in the three
paintings below.






The moors, Robin Hood's Bay
(Postcard, 1910, 9 x 14 cm)
Cat no 1910/2






Robin Hood's Bay from Raw
(Postcard, undated, 9 x 14 cm)
Cat no UND/5





The moors looking towards Ravenscar
(Oil on canvas, 28 x 36 cm)
Cat no 137

Notes: The coarse canvas detracts further from an untypically
rough-and-ready oil painting. The signature is highly unusual
and probably very late.





The moors, Raw, Robin Hood's Bay
(Postcard, undated, 9 x 14 cm)
Cat no UND/2






Fylingdales
(Watercolour, 19 x 32 cm)
Cat no 003





Sheep on the moors
(Oil on canvas, 28 x 39 cm)
Cat no 139

Note: The fine brushwork captures the sheep most effectively.





The moors
(Watercolour, 18 x 25 cm)
Cat no 076

The moors at Ravenscar
(Watercolour, 21 x 28 cm)
Cat no 149

Notes: The oldest painting of this scene, probably from the early 1900s.
The path points the way to Baytown and Ness in the distance, in what may
be an echo of a well-known painting by Sam Bough. The five images below
are listed in approximate chronological order.





The moors, Ravenscar
(Postcard, undated, 9 x 14 cm)
Cat no UND/4





The moors at Ravenscar
(Watercolour, 26 x 36 cm)
Cat no 150





Gorse bushes on the moors
(Watercolour, 18 x 27 cm)
Cat no 157

Note: The yellow gorse found at the northern end of Robin Hood's Bay
was a popular theme, notably in the fine postcard above left.





The moors and Ness
(Watercolour, 18 x 28 cm)
Cat no 148





The moors and Ness
(Watercolour, 18 x 27 cm)
Cat no 156





The moors with sheep
(Watercolour, 28 x 38 cm)
Cat no 061





The moors
(Watercolour, 23 x 29 cm)
Cat no 162

Notes: A very late work, found in Ulric's studio, with the unusual signature
known also from Cat no 137 above left.