Cross Keld Cottage
(Watercolour, 1907, 15 x 24 cm)
Cat no 104





Bay Ness Farm
(Watercolour, 1919, 17 x 27 cm)
Cat no 091

Note: Ulric's artistic licence includes replacing an unsightly quarry with the
delightful seaview. Compare the painting oppposite.





Stoupe Brow
(Watercolour, 24 x 33 cm)
Cat no 159





White cottage
(Watercolour, 17 x 26 cm)
Cat no 098





View of Robin Hood's Bay from the Vicarage garden
(Watercolour, 1919, 26 x 37 cm)
Cat no 092





"Brocket's Farm, Raw, RHB"
(Oil on canvas, 39 x 49 cm)
Cat no 133

Notes: Title is written on the stretcher frame but the farm's precise location
is unknown. A very fine and quite late painting noteworthy for the lavish use
of oils and the bold brushwork. The same distinctive style is evident in the
paintings opposite and below.





Wheatfield
(Oil, 27 x 35 cm)
Cat no 103

Cottage by stream
(Watercolour, 18 x 28 cm)
Cat no 099

Notes: According to Leo in So Many Loves, painting reflections in water was
cause for Ulric to grumble about the extra work. This is a rare example.





Bay Ness Farm
(Watercolour, 30 x 40 cm)
Cat no 005





Soulsgrave Farm, Sneatonsthorpe
(Watercolour, 19 x 28 cm)
Cat no 117





Houses in village
(Watercolour, unsigned, 21 x 27 cm)
Cat no 093

Notes: An unusual scene and quite possibly in a village far removed from
North Yorkshire. The whiteness of the village, the steps and the
drain-pipes are all distinctive.





View of Robin Hood's Bay from the garden of Fyling Hall
(Watercolour, 17 x 26 cm)
Cat no 147





"After the Rain"
(Oil, 25 x 35 cm)
Cat no 124

Note: As with "Brocket's Farm" opposite, the title of this painting is given on the back.





Hay-cart
(Oil, 1903, 32 x 43 cm)
Cat no 111

Notes: This is one of very few early landscapes with a rural theme and a
very rare instance of equine interest. Despite its apparent familiarity,
it owes nothing to Constable, though it does bear a pronounced similarity
to a 1903 work of (Sir) Alfred Munnings.